In meter, many poets use prosody to put down their physical composition to life. rhythmic pattern is the pronunciation of a poem, and it usually includes elements such as sound, rhyme, lead offning rhyme, assonance, onomatopoeia, rhythm, stress, and meter. These effect can take poetry to a completely unlike level, beyond only imagery. In the poem, The Word Plum, by Helen Chasin, examples of head rhyme and onomatopoeia are employ to bring her subject, a fairly, to life. In the prototypal line, Chasin begins with a very introductory description of the contrive plum: The word plum is pleasing. The interesting thing is, shes non even describing the fruit, but the word. The word delicious has an l, as does the word plum, and I see this pisss a harmony between the noun and adjective. The c and s of delicious creates slenderly of a juicy sound; as a practiced plum, being eaten, is generally slurped with each bite. In the second line, onomatopoeia is introduced with the both verbs, pout and turn on, luxury of. Pout and push are enormous for the beginning of that second line because, following(a) delicious, they create a new sound, yet they begin to describe wherefore its delicious. Alliteration is also introduced with these 2 words, and they are not capitalized, which creates a balance; two verbs, quad letters each, not capitalized, and both beginning with ps.
And then, luxury begins with an l, which begins to piece the word plum. In the third gear line, again without capitalization, self-love, and tasting murmur, Chasin completes the spelling of plum. Again, she uses alliteration with the letter s to create that juicy sound, self-love/ rel! ish. Perhaps, also, murmur is used to create somewhat of a Mmm effect. In the fourth line, she creates a new alliteration broad(a) in the intercommunicate and dropping. The fs could... If you want to get a full essay, order it on our website:
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